2017 Winter Queen Ornament Kit Available & on Sale!
I am cleaning out working up for the new 2018 ornament, and found a box with 5 of last years ornament kits~ woo hoo! Sooooooo...great for you if you missed last years special limited edition ornament kit~ cause I have decided to put them on sale~ 100.00 dollars off of their original price, because I need to room & want to share them~ so if you are interested, here is a link to the page on the DKFA blog
Happy Monday! I hope your day is a great one and your relaxing with a nice cup of tea...I have mine! I have finally had some time to breathe after finishing all the end of year school things for the children, and have this gorgeous spool palette up on eBay this week. I designed this one after the other Flemish pieces I have made, but the design is a little different, based more on the box I embroidered of the same. I love to paint in this style, its really fun and feminine, and I love how the gold looks when its finished. Its something the camera just doesnt pick up in a picture~ if you want to see it on eBay with huge pictures so you can see all the details, or perhaps place a bid, you can find it here
The gold is very subtle head on, but when the pieces are moved, or you move around them, you get these unexpected little flashes of light~ so pretty! Just think how pretty a casket would be...I mean....an entire casket, painted this way!
I have all sorts of things in my head I would like to paint, so many ideas, but the bulk of my painting time is painting what others have always wanted~ its a challenge to be sure. I haven't posted pictures in so long of my slate frames, mainly because I don't post pictures until they get to their intendeds....but by then I get busy and forget~ so thought I would share a couple of my favorites. Its amazing sometimes what people ask for~ things I would never think to paint on a frame, but in the end, they fit really well. Sometimes people are very specific about what they want....other times, they can be fairly vague. The above frame was a request for snowmen and snowflakes and silver Christmas balls.
Skeletons & pirates are always a popular theme...so this time I combined them. I know if I was a pirate, my treasure box would be chock full of embroidery threads!
Charlotte told me to paint what ever I wanted, but that she likes witches.....so witches it was! I love Halloween and witches and thought this frame would be a breeze, and it turned out to be the most challenging frame I have painted to date, as it is just so blasted difficult to fit mainly vertical objects onto a horizontal plane that is only an inch tall. I love how it came out, its one of my ultimate favorites.
Dollys have been busy to, Ladye Pomme is on her way back home from a visit to Jamestowne & Colonial Williamsburg. I am really thrilled to announce that I was selected again this year for Early American Life Magazine's Directory of Top 200 Traditional American Craftsmen, for the 11th consecutive year in a row. Its truly an honor and I am so excited for Pomme to get back here so we can have some tea and she can tell me all about her venture East. I hope she got to go to the glass furnace there...I went this past March and it was fabulous!
This spring has gone by in a flash~ I have been so swamped & stressed I am surprised all my hair hasn't fallen out. Josh graduated from high school this past Friday and we couldn't be more proud of him. I feel super lucky that graduation was so close to Mother's Day~ not only did I get an honor graduate, I also got to spend Mother's Day with my Mom~ something I haven't been able to do in over 20 years at least....probably more like 30. What a great weekend~ Im exhausted!
Things for me tend to roll in waves~ I end up working forever it seems and not getting anything done, then within a week or two, all sorts of things come together and get finished. I have been working on this blasted kitchen since I got back from Williamsburg, and finally, FINALLY~ its done. D.O.N.E. Im super excited, now I can get back to work on my things...I know my chi is there....just waiting to flow again...bring on the dollies...bring on the wood...and bring on the BEADS!!!! WOO HOOOOOO
Golly the time is flying by~ we seemed to have skipped Spring and ran from cold straight into Summer here in southern Colorado. Ladye Rachael is a little Grodnertal that would love to say hello~ you can see here on eBay here or click on my eBay auction link on the right sidebar. I have a couple dollys on this week and a great little antique child's coat made from c1740 silk brocade up for sale.
I love Grodnertal dollys~ some call them peg or penny woodens~ they are precious and I think my girl is pretty sweet! I wanted to get her on for May day, but as always, i'm a bit late!
How many of you have heard of a Cristal Baschet? It's a fabulous water and glass instrument~ for me, in the same family as the Glass Armonica, or Hydrocrystalophone invented by Benjamin Franklin in the 1760s. The cristal Baschet is not that old tho, it was invented in the 1950s by the Baschet brothers in France. Glass rods are stroked with wet fingers to produce deep rich vibrating tones. I hope you all have a Blessed Easter, and enjoy this beautiful video~ one of my favorite French composers, Erik Satie, on an amazing French Cristal Baschet.
Some years ago I posted here about the long process of making linen. The other day I ran across the following video from the Monreagh Heritage & Education Centre at Carrigans Village, County Donegal in Ireland and thought all you folks would enjoy a visual to go along with my description~ because there are some things, that words just cannot express. There are a couple of differing terms in the video~ ie, what they refer to as 'Crimping', I refer to as 'Braking', and their 'Brushing', I refer to as ''Combing'~ but other than that, its all the same description of a long, skilled, magical process.
I just got back Tuesday morning from a wonderful trip to Colonial Williamsburg in Virginia. The weather, even with the bomb cyclone, was just wonderful~ the cherry trees and Japanese Magnolias were blooming~ makes me pine for Spring.....here in southern Colorado, everything is still in a winter's coma. I went to attend Chris Berry's 17th c raised work embroidery class 'Curious NeedleWorks'~ if you have a chance to take it, do it~ it is fabulous. I stayed with my bff Sharon and arrived a few days early to take in Agecroft Hall and all that is 'Colonial Williamsburg'. Visiting the Historic Trades was my favorite~ I could watch them work all day long, every day... above is a view of the back of the Governor's Palace, from the gardens.
Of the zillions of pictures I took, this one, I think, is my favorite. There is nothing like the view thru wavy glass~ small glass panes like this were made by blowing glass into a cylinder, then cutting the ends off, cutting one side and then rolling it out flat.
The Shoemaker was fabulous and a favorite of mine
Another reason for getting your butt in a quick jiffy to the Dewitt Museum in Williamsburg is the 'Printed Textiles' exhibit. To say it was ultra mega extraordinarily fantabulous is an understatement.
Both clothing, and home furnishing printed textiles are on display~ there is no publication accompanying the exhibit, so if you want to study these pieces, you have to go in person~ and yes, take all the non flash personal use photographs you want!
Several dolly houses are out on display as well~ the little tuck combs always a favorite of mine
So of all the trades, if I had to pick a favorite...it wouldn't be the shoe maker's, which is strange, as many shoes as I make, and as much as I am absolutely infatuated with early shoes....nor would it be Sarah Hunter Millinery Shop....as much as I like to sew & study antique clothing.....the Tailor's was really fabulous, and came in a close second to the Wig Maker's....oh my golly. I died and went to Heaven in there! Many new techniques were learned and I have a zillion ideas sprouted in my head for dollys who simply must must must have hair!
Chris's class was just fabulous~ it starts simply enough with detached buttonhole and before you know it, you are working up & down buttonhole, trellis, ceylon, and all sorts of knotted buttonholes~ I had worked regular detached buttonhole before, and was worried that I would get behind in my stitch samples as I have never worked any of the others before(tho I have studied them for years), but she explains them so completely, and in such a way that I think a newborn baby could work them if they could hold a needle. Because you work your own samples, you know how the stitches work, how they interact with others around them, how they look from the back and from the front, loose tension, tight tension...how they look different being worked with different threads....it was just a fabulous course and I highly recommend it to both novice as well as advanced stitchers.
Before heading out to the airport, I stopped by the Bakery and they had just pulled out two pans of ginger cakes~ I had room enough in my purse for one piping hot bit of deliciousness.... so note for next trip...get a bigger purse.
I wasn't even home a full day and zoomed down to Albuquerque to pick the bead palette for next year's classes at Bath Textile Summer School....yes...you read right~ class~'es'....I will be teaching a short 3 day workshop on working a little bunny in a cartouche on a ground fabric, and then another 4 day workshop on a large bust, similar to the one on my casket lid~ but this year, we will be using modern beads, so students will have the option to purchase my bead palette, or bring their own colors!
It's official! At 12.35 pm this day, I cut the last thread on this panel and called it finished! I seems like it has taken forever to work~ I looked back in my notebook and I started it on the 18th September, so 5 months to the day it took me to start it from start to finish. After the angels I worked both the large Tudor roses at the bottom...I used gilt milliary for the edge of the petals to give them nice sparkle, and to match the pink and gold colors on the inside of my casket.
The cartouche came after the roses~ I finally decided to work the entire thing in loupes~ I was thinking perhaps four bow like areas of them, with flat rows of beads in between, but wanted it to look 'lush' so went all out making little beaded wire loupes for eons and eons.....
I am getting ready for a needlework seminar at Colonial Williamsburg this next week, so practically no time to stitch for me.... so when the power went out I threw such a fit my husband went and brought me one of his Coleman lanterns~ there was NO WAY I was going to sit in the dark and do nothing.....
Aside from the great amount of heat it put off....it was enough light for me to work the cartouche....I spent the night hoping it would look as good in the daylight as it did in the dark.
Once I got the cartouche finished, there was just two things left~ first to attach all the bits and bobs collected in my little box...wings, and angel sashes.... and then to make and attach the garland that goes around it
I added steel cuts to the wings and like how they sparkle, but no too gaudy....
Butterflies got their wings~ I like this picture because it shows how dimensional the stumpwork stitching is
This past week I worked on the twilled leaves for the garland, and today got the garland made and attached~ I left this picture big so you can click on it and enjoy all the little details!
I havent posted any progress on my flat top casket for a while because well, there hasn't been much progress to share. I was working on the angels when my Biskie got hit by a car, and I have felt so much guilt that he should not even have been outside ect ect...that it has been very difficult for me to even look at the angels, let alone work on them. A few minutes was all I could muster before I would get overwhelmed and need to go do something else. I have dreaded working on them....not to mention, the what seemed like zillions of feathers were terrifically boring and they just kept going on forever and ever.
I would make a couple of feathers, put them on...make a few more~ they are all different sizes to fit the drawing I made. Once they were on, angel finally got her hair....because I had to work the hair before I could put the head of the wings on
Once hair was sufficiently full and flowing, I added the head of the wings to cover the bottoms of the feathers. At this point I was still dreading every bead, knowing that I had a whole second angel to work
This was the angel I was working on at the time, so I have left a gap in her feathers, a missing one, for my precious lil guy. When I finished her feathers, I was anxious to work her hair and finish her wigs so I could just be done with them, finally.
I have a ton of work to do getting ready for next years Bath Textile Summer School, (I will be teaching two classes), so my thought train was as soon as I finished the angels, the cover was going over this panel for a while. I knew if I didnt make myself finish the angels, 10 years from now they would still be unfinished...but something unexpected happened when I got second angel done. It was like a huge weight was lifted off my shoulders, and looking at my lid panel...I was excited again. There's not that much left on it actually...
Suddenly I found myself madly pawing thru my beads looking for colors for the two large roses at the bottom of the panel, and before I knew it, I had chose two sets of colors and was enjoying trying to figure out which ones to use. My son suggested this red, which I liked, but didnt have enough beads of that color, so this petal got unpicked and I went with shades of pink to match the roses in the friezes.
Yesterday I finished one of the roses and yes, I am excited for this panel again! One more rose like this, a garland and the cartouche border and thats it~ I already have all the detached elements for the bugs finished, just have to put them on when I get the cartouche border done.
Would you know one when you saw it? I thought I would share this piece with you all, in hopes that perhaps you will think twice the next time you quickly assume that A~line post Civil War era 'dress' you are looking at is a girl's paletot (generous fitting overcoat). There are several clues straight away, when I saw the photo above, that immediately told me this was a tunic or boy's jacket, rather than anything for a girl. Do you see the belt? Obvious clue number one....girls 'usually' did not wear a belt over a paletot, not this early anyway...(to the mid 1870s they did wear belts over their elaborate overskirts).
Do you see anything else? Obvious clue #2 is the asymmetrical front~ if you see a bodice with asymmetrical front, you should hear a little voice on your shoulder screaming boy boy boy boy!
Of coarse obvious clue #3 is the trousers.....but what if your piece is not still matched with its original trouser bottoms? The above silhouette I have seen time and time again in period displays misidentified as a girl's dress or coat.
Adding the belt, one can immediately see the change in character of the entire ensemble
Even boy's clothing of the 1860's used an enormous amount of fabric to obtain the fullness of a period correct silhouette.
This is a excerpt from the Butterick & Co engraving ~Spring & Summer Fashions of 1868. I love group engravings as they show the difference in dress for different age groups at the same time....(and for same reason I love early 1840-60 class photos)
Young boys would first wear dresses, then as they aged, would go from knee length trousers to pants ect ect..
One can see a slight resemblance to our fellows suit in the yellow one in the center above
The boy in blue, in the center above, shares elements and details with our suit~ the pointed waistband on the knee length trousers, and the asymmetrical design on his shirt. One rarely comes across an exact match in an engraving, but there are enough detail matches to firmly date our little suit to the 1868 period.
The little fellow who once wore this suit was from a prosperous family~ one need only count it's 36 matching gilt brass buttons.....18 on the top, 2 on the belt and another 16 on the trousers~ the cost alone at the time for just the buttons would have been more than what some folks made in wages for a month.
The front of the trousers have 2 cute functional pockets that match those on the jacket. There are no fastenings at all on the waistband~ it would have originally buttoned onto a shirt.
The seat of the trousers cut full for nice range of motion (you had to squat to play marbles after all....)...and all those buttons, save for the last one at the knee, all are decorative.
Folks say boy's clothing is so rare, when actually, there is just as much out there as girl's clothing....it's just misinterpreted.
It does feel good to get back to work. I havent been of mind to do much lately, everything seems overwhelming and I havent been able to concentrate like 'normal'. The children have been keeping me busy~ Emma got her first elk a bit after Christmas, and Josh has been building a forge...hes out there now hammering away and I see a nice butter knife with rebar handle in my future....
Got a few dollys finished. I think the expression on Marida's face is a direct reflection of my own...kind of ho hum.....waiting for a nice cup of tea. I wanted her to look primitive...like something Mamma would have made for her little girl from things found round the house...her clothes are hand stitched from late 18th ~ very early 19th c print from a quilt back portion
I gave her a wig of real human hair...not my own. I have all sorts of antique hair that was saved probably for hair jewelry, but never got made up. Sometimes I use my own hair, but I liked this color, its dark but has kind of red hue to it if you get it in the light and goes well with her complection. Its stitched on over a cotton skull cap, and yes, I sat and braided it by hand. I like how it came out, simple, but with lots of character. She will go on eBay later this week.
My work has stacked up over Christmas, this past Wed. was my first full day of work back out in the shop, and I have to say, it did much to make me feel better. I love to work wood, I really do. Drilled out 17 slate frame pairs and have started to saw out the mortoises
Of coarse I was working on my casket when lil Biskie got hit by a car, so it has been extremely difficult to get back to it since. I was working on a specific portion of the angel's gowns (where was mine & Biskie's when he needed it???) so I have added some little brown beads that are same color as his little nose in that spot.... It's been too hard for me to concentrate to count beads since, and these are so small, I just can't see them when my eyes well up....
But I had these pieces done, so I have gone ahead and stitched them on to finish their gowns....minus the sashes
I don't think I like them very much, honestly, but I'm not taking them off. Perhaps when they get their hair I'll like them better....I'm not diggin little baldies...or maybe it's just angels in general.... I don't know.
But before I can do their hair, I have to make their wings....so for the next while, I'll be making feathers....well over 100 I need, of differing sizes...the small ones take me about 20 minutes to make one, so it will be a while. I have decided to make the Quiltmania 2018 Mystery Quilt this year, because I have been feeling a need for patchwork...so am very much looking forward to that starting the end of this month.
The Lady's Repository Museum is a privately owned museum dedicated to the collection, preservation and study of unique early American fashions of both women and children, the later being a specialty.
All proceeds from Diamond K Folk Art sales (antique reproduction Folk Art, Dolls & hooked rugs) directly support the Museum, of which can be found on ETSY, eBay and the DKFA Blog~ please see the links on the sidebar. You can also mail me at email@example.com