Wednesday, November 11, 2009

Coming to the Mercantiles this Nov 14th...

I hope you will please join me at 7pm CMT for my Holiday Update on the TDIPT and EW Mercantiles. There will be much delight and festivities, as it is our annual Holiday Open House on TDIPT Mercantile~so along with every purchase you will be entered into the drawing for many many wonderful premiums(see the Mercantile for all the details).
Such a magical time, just after Hallowe'en and before Thanksgiving, with all the anticipation of the Joyous Season ahead....the excitement is heavy in the aire......

Hope to see you there!

Sunday, November 08, 2009

Have Mercy.....

I finished my sample hoop of quilting this Am, and of coarse, I love how it looks......May God have mercy on me, and give my poor middle finger the strength it needs to endure. I may indeed, have to learn how to use a thimble after all these years. I have decided to discipline myself as with the last of the construction, to quilt quilt quilt every morning for a few hours. I will try a comfortable pace this next week, and then see how I have progressed, and try and estimate the time that I will need to finish....to adjust my time to be well and done by March. Yes. March is IT!
I am on to dollys today, finished a gorgeous gorgeous Polichinelle that I am so excited for you to meet~ if I can get it to hold still enough for a picture :) Happy Sunday!

Saturday, November 07, 2009

64 Square feet o' Baltimore....


Golly I have been soooo busy! I could blog on something different every day of the week, except I don't have time! The gorgeous fall days are here and as usual, I have a million things going on, and have to nearly make myself go outside to enjoy the crispy air....my favorite time of the year. I have been meaning to post about my Baltimore ever since getting the top finished on the 23rd of October! I still can't believe I have finally finished it.....looking back, I can honestly say it was a horrible way to assemble the top~ horrendous even! I must be insane to have done it this way. Looks good, yes, but do I recommend this type construction to anyone else? Definitely not.
The sashings are what made this top so inconceivably hard to make up~ each point of my weensie little dogteeth is applique, not pieced. So first, I connected them into rows, and then, as you can see above, pinned and appliqued the rows together. Its a good thing my dining room table is a 12 footer, I could have never done this on the floor. The rows took nearly an hour to pin each one, with each point getting its own little pin

The technique I have used for the entire top is simple needle turn applique, with between 15-22 stitches per inch. The hardest thing was dealing with the bulk of it all~ I had to carefully plan what rows to do first, so that I would carry the least amount of bulk in my hand. I carefully folded and rolled the top and bottom, and towards the end, it was really h*a*r*d and slow and I could no longer get my hand around it, so I had to resort to holding my fabric from underneath, like a big mitten..........it wasn't pretty


BUT! I am stubborn and hard headed as my husband says, and I prevailed! Now my next step is to decide weather to quilt it, or not to quilt. I do really like and prefer the look of the coverlet type that so many Baltimore Albums were made up as. I am planning to do up a sample quilting with backing and fill, to see how the quilting will look...I got the frame you sent Ma~ so will be starting that el moi pronto!

My top is set on point, and I had not appliqued the edge half blocks before I assembled it.....I wasn't sure I wanted anything in that space, but once everything was together and I could stand back and look, yes....they didn't look right empty! So back to applique I went, and each half block got a special design, all from original Baltimore Album Quilt blocks as in keeping with the others, and I also made sure each one had at least one butterfly...some of them got two! Each butterfly was also taken from original blocks. This block is the squirrel from the Sliver quilt, with 2 butterflies from the Ruffner Baltimore, before making up. I like to cut my pieces and set them together in my design so I can see how it will look~ then I can make any changes before stitching if I don't like it.

Same cutie patutie squirrel all made up.

This white rose is also from the Sliver quilt



I have kept meticulous records of every minute I have spent stitching, haw many pieces each block has ect ect ect.....one of these days I will tally everything up and give you the funky details~ I love things like that. Every stitch done by hand, finished my top is 8 foot square ...could have been a bit bigger~ its not big at all compared to some Baltimores....I will let you know how the quilting question turns out!

Tuesday, November 03, 2009

Recipiunt Fœminæ Sustentacula Nobis.............

I recently received an email to me that said "It is a refreshing pleasure to meet someone who incorporates artistry into daily life"...... what a nice compliment I thought. I had simply taken the time to address an envelope in an early 19th style of writing....never thought anything of it really, other than, that I liked to do it. I live a very moderne life...running water, wonderful Heavenly toilettes inside the house....and this computer~ a wonder of the world to be sure! But I do love history, and am always thinking of how things would have been done, in my favorite 18th century. When on a trip, I often ponder and calculate how long it would have taken to get there in a carriage, at a blazing 5 mph......and the other night at supper, was telling the children how spoiled we are to have a refrigerator....that in early times, one would have to go to market every morning to buy the days meat and bits for supper.

Well, before Halloween, we got a wholloper of a snow here in southern Colorado, with a bit of rain before, that has turned or drive and road we live on, into a muddy mess. Looking at all that mud, and sweeping it up out of the house constantly, I digress again to what our ancestors would have had to deal with in the late 18th and early 19th c. No rubber mud boots. nope. They had 'Pattens'

Pattens had a flat metal hand forged ring which made contact with the ground, attached to a metal plate nailed into the wooden sole via connecting metal, that elevated the foot up off the ground, sometimes several inches. I have read about pattens being worn as early as the 1500's, but they were most common from the 18th c to second quarter 19th c, when vulcanized rubber overshoes replaced them. You can find c1830 hybrids of a wooden sole with a rubber hinge in the middle of the instep. I am very fortunate to own 2 pair of early children's pattens here at the Museum

These two pair both measure almost 6" in length, and were actually worn by wee little children, just learning to walk.
Pattens were worn only outside, on muddy country roads and messy brick paved city streets, to 'save ones shoes' from getting dirty. It was customary to take them off before entering a home, and especially Church. Matter of fact, many Churches had rules forbidding them. Jane Austen often wrote about the "ceaseless clink of pattens" when referring to her life in Bath, England. (I think she would go insane at all the city noise these days, and long for 'just' the clink clink clink of pattens!)

One can imagine the noise they made as a person walked across any hard surface, much like metal horseshoes on pavement now a days....and what an interesting trail they would leave in the mud!

This is the bottom view of my earliest pair, they date to 1780, and have an oval wrought iron ring to elevate the Adler wood platform up off the ground. This oval shape is the most common found, I have seen a gorgeous adult pair with heart shape 'ring', that I still kick myself for not buying when I had the chance.....



This pair date to the first quarter of the 19th century, and I date them by the shape of the sole. A person simply tied these on over their shoes, so the shape of the sole mirrored the fashionable shoes of the time. These have an interesting ogee, or lantern kind of a shaped iron 'ring'.


Looking at them, one might assume that they would have been made by a Blacksmith...but not so. Like so many Trades in the 18th Century, one must be a member of the 'Worshipful Company of Pattenmakers' to make them. My post heading is their motto, which translates from the Latin to ' Women Receive Support From Us'.



The iron ring was attached the to bottom of the sole, with the front piece curving up and around the toe to protect the front of the shoe from being worn down. Wonderful early craftsmanship in a utilitarian piece of clothing....so hard to come by today.
I really love this bottom view~ if you click on and enlarge it, you will notice the wear to the wood on the inner sides. From this, we can tell which shoe was right and left, and that this little person walked with great ease in them on paved streets, to wear down the wood in this pattern.

Samuel Pepys recorded in his Diary for January 24, 1660:
“ Called on my wife and took her to Mrs Pierce's, she in the way being exceedingly troubled with a pair of new pattens, and I vexed to go so slow. ” ahhhhhhhhhh the life!

Sunday, October 18, 2009

Golly!!!


Tis the season to be BUSY! I have been working like a mad woman to get my Baltimore Album quilt top finished and ready for quilting. I finished the sashings.... ahead of time, and thought, after 10 years, I was finally done with the top, only to stand back and say....'uh, nope...... not finished yet'. I have set it on point, so I had 4 corners and 12 half blocks on the sides that were empty....so back to stitching I went! I finished the sashings on the 21st of September, and set a goal to have all the additional applique finished by the end of October. I have just 4 more half blocks to go, so hopefully I will be able to get them done by then! Thankyou SO much to all who have emailed to see how it is coming on~ I say" Beautifully"
We took a little time out yesterday to carve pumpkins....what a mess! Our early Sept snow killed the vines, so the children's punkins they were babying along stopped growing and were still a bit green inside. Emma carved hers and somehow it ended up on her HEAD! I could hear muffled giggles and couldn't believe it when I saw her~ in all my life I have never once thought to put a real punkin on my head! Well, she liked it so much, that she took it off and carved an upside down face on the bottom of it, so she could see, and now, after months of tribulation and finally coming up with the Gothic vampire costume...she has thrown that aside and wants to wear her punkin head for her costume! (I would have appreciated this idea months ago)
Lil Pip would not be still from hopping up and down until she got to try on the punkin...its SO heavy tho, Emma is helping her hold it up


And when she let go, you can get an idea of how heavy it is! I love this picture tho, I may have to get it blown up for my studio....cause I can certainly see a dollye that needs a punkin head in my future!
Enjoy the Season!!!

Sunday, October 11, 2009

This October 15th....

Hope to see you there!!

Sunday, October 04, 2009

Corseting Tascha


18th and 19th century dolls were both plaything and teacher for little girls. Not only did they provide a friend to play with and hours of loving company, but they also taught little ones rules of fashionable dress and how to be a proper little ladye. As some modern dollys teach how to tie shoe laces, some early dolls taught how to tie up a corset or set of stays.

Tascha is an antique 1830 mache doll on milliner body with carved wood arms and legs. I dressed her as a fashionable ladye of the time, which required her to slip on her pantaloon and chemise first, before her new corset. To corset dolly, first I lay the corset, with back fully undone, over the front of her, where it is intended to fit


The top of the corset should come up to, bit not overlapping the shoulder plate. 1830 corsets were meant to compress and flatten everything, even the bust. Towards the latter 1830s, gussets were inserted to allow fullness in the breast, but still retaining the sleek flat lines


I then flip dolly over on her tummy, and hold the lace directly in the center. Each end is then thread onto a blunt eye tapestry needle, and the back of the corset is very loosely laced down both sides, from the top to the hips, going thru every other hole, just like a shoe is laced. At this point , we just want the laces to run thru each hole, with even amount at the excess of each side.
I flip dollye back over, and tie her shoulder straps in bows, tucking the excess lace ends into the corset under the arms. Women would usually just tie and knot these laces, and cut off the excess, as they would shimmy in and out of them without bothering to untie the shoulder straps.


Flipping dollye back around, you can see her corset fully laced, very loosely, with the ends hanging. For Tascha's little corset, her back lacing is over a yard long.




Starting at the top, and slipping your index finger under the first set of 2 laces, where they cross and make an "x", gently pull up and snug up the laces in pairs, to draw in both sides at the same time, and follow this down all the way to the bottom.


A properly fit corset will have a wide gap in the back. Once the fit suits the wearer, the laces are tied in a double bow at the bottom, the excess coiled and tucked up within the corset.


With her wide wooden busk running the full length of the corset, Tascha could never ever bend at the waist! The hips are well enclosed by it as well, making sitting a very uncomfortable affiar for a fashinable ladye of the time. Furniture of the period recognized this, and chairs were made differently for men and women. A ladyes chair was not as deep in the seat as a mans', and often had no arms, or arms that only extended half way to the edge of the seat, to afford her a little more comfort whilst trying to balance herself on the edge of it.