Casket Side Panels Finished!

 No Glamorous Spaces Here

I often get asked what my stitching space looks like. I am usually a pretty organized person, I'm a Virgo so I do like everything to be in its place. When I am 'creating' though, things tend to get pretty hectic. We are always bombarded with pictures of Women's creative spaces looking so clean and glamorous...I personally don't know a single person whose space looks like those in the magazines. In case yours doesn't either and it bothers you, don't let it! This is a picture of my stitching counter, you can just see the corner of my slate frame in the bottom left there.  

See, I usually set aside January for doing my business tax papers....but doing so takes up my entire counter. I used the excuse that I would work on my stitching in January, and start my tax papers on 1 Feb. Well.....I was so close to finishing this current slate frame worth of casket panels, that I convinced myself that it would be a total waste of time to clean off my counter for tax papers, and then have to set everything else back out again. I mean. LOOK at it. I got EVERYTHING I need, right where I need it. It looks like a huge mess to the untrained eye, but it's what I call my 'working mess'. I stand to stitch, and everything I need is right where I can grab it.  You don't even want to see my doll room when I'm working on a doll. Just, no.

Anyways, I am also a numbers person and keep track of everything. I know how much time is WASTED getting stitching things out, and then packing them up again. Just think how much stitching you could get done in the time it takes you to set up and break down your stitching area every time. So this is my tip of the day for getting some serious gains on stitching progress~

Make yourself a dedicated stitching area. It doesn't have to be an entire room. Or an entire counter. A side table, the top of a dresser....just someplace you can have your stitching at the READY and not have to haul everything to and fro all the time. Portable rolling carts are great~ keep all your stuff for your current project in there, and then when you want to stitch all you have to do is roll it aside you. You may be surprised how much progress can be made with just 20 or so minutes of stitching a day!

Speaking of progress, yes! I have progress to share on my Scenes of Country Life or Rural Pursuits casket~ WOO!

I actually 'finished' them twice LOL. Above is a picture of the first time, with the original configuration of the silk-wrapped purl flourishes. Up close they looked good, but from across the room, they looked like a sideways crab or spider clutching onto the cartouche! It kept me up at night, literally. HUGE design flaw for me. I wanted the ovals to be within the center of a block of stitching....not hovering between two crabs in a rectangular negative space. So while I was sleeping I thought of all sorts of things I could do to remedy the situation. Just leaving it was not an option for me. What I decided to do was to make the one-sided flourishes into leaves. I drew them in with a pencil first, as can be seen in the bottom half. Then couched yellow silk over the lines to match the rest, as seen in the top portion. I just needed to get the rectangular angles out of this white/negative space of the ground.

A few silk-wrapped purls later, and bam! YES! Finished for the second (and LAST) time!  I am very happy with them now. 

I have now cleaned off my counter and started my tax papers like a good girl. This slate frame is ready to get cut up and glued to the casket, but I am saving that for when I get back from a trip to Colonial Williamsburg. Cant wait to see them on the casket!

Did you stitch some today???! DO IT!!!!!

Casket Progress

 Hunting & Ploughing Side Friezes Complete!

I guess its been a while since I made a blog post, I apologize! It is so easy for me just to stick a picture on the Instagram, I forget I have not blogged in a while. I have been baby stepping along on my Scenes of Country Life, or Rural Pursuits casket, and just completed both side friezes today. 

These first few pictures are close views of the plough side. Love my rooster! This casket has been a challenge in so many ways. I have said a million times I hate satin stitch, loathe even more Soie Ovale or flat filament silk....but blast it I really love how they look and wanted to make a flat work casket. I picked the smallest I had thinking it would be a good thing...less area to stitch on. WRONG. Oh my golly was I so wrong.

 I want to stay true to 17th c design and colour, but also the actual stitching techniques used then. I cannot even guestimate the amount of hours I have spent studying period stitching and caskets. I have literally traveled the globe to lay my own retinas on microscopic stitches from so long ago. And they really are microscopic. If you have only ever seen 17th c period stitching from books or a computer screen, you will be amazed at how tiny the motifs and figures are in person.  For example, the photo above. Ok you know its for a frieze...but how tall do you think the hillock under the thistle is? 

Less than 1/16 of an inch!

Stitching on this scale one must think outside the box and scale down ready available materials, as everything other than tram weight silk is just too huge to use.  If there is interest I will make a blog post on the different gimps available and how they compare to each other. For every period embroidery that uses gimp to outline satin stitched motifs, there is equally one that does not. Outlining with gimp can hide a ragged or unsightly edge, and it does look very nice, but I want to highlight another 17th c stitching practice that I have labored very hard over to achieve

Not outlining or split stitching the pattern line before satin stitching over it. Today, stitchers will usually do so in a matching/ coordinating thread to help hide gaps between each stitch, giving a nice solid edge to the motif. I actually prefer to not stitch any kind of outlining under my satin stitch. Not only does it add greatly to overall stitching time, if you are a sloppy stitcher, you can also distort the motif. You become a slave to the underlying stitching. One does have to be very careful and place each and every stitch right along side each other, but after a few hundred stitches, one doesn't even think about it. I stitched the iris above with a single ply of Soie Ovale ( there are 6 plies to a strand)...Id say there are well over 50 stitches width wise to the inch. Basically, I would move over a single thread on my satin ground with each stitch. 

We are on the hunting side now, with the iris, hound, pansy, hare and strawberries

I saw gold hillocks on a casket and really loved them. Including grass blades within them helps break up a huge block of otherwise boring stitching. Its such a small space, I want to get in as many details as I can, without overcramming everything.

The pansy was sooooooooooooooo difficult. It just cant even put it into words. I spent an entire day trying to get this flower to look like how I wanted it to. First I stitched a petal with two plies instead of one, and was not understanding why it was looking so clunky. I thought it was the colour. I was starting on the second petal when I realized my blind melon was using two plies. An hour later I had the petals ripped out and was starting again. Now I had the right scale and was happy with the stitches, but not the colour. Did NOT look right, so out it came again. I wanted them to look like the little violas that sprout along the walkway in the backyard at home, so I persisted. Finally my white center stitches were not showing up how I wanted them to...two plies and they were invisible. Four plies, still invisible. Finally, I decided to use some weensie freshwater pearls. Success!

I had to include strawberries on my hunting side because we always find wild strawberries when we are out hunting. I think I have actually picked some wild strawberries that are larger than the ones on my frieze...

For scale, they are smaller than my pinky fingernail! Like I said, this casket is a challenge, but that's what makes it so much fun to stitch. I literally go to bed thinking about what stitching I will be trying out the next day....what colours, what techniques. If I don't get time to work on it, I actually get a bit cranky(or worse). I really do love stitching & hope you are having fun with your stitching too, whatever it may be!