Finished

 17th c Inspired Gum Work Casket

Here is a tour of my finished Gum Work casket. I hope you enjoyed following along on YouTube! If you haven't already got on the mailing list for my new 2022 classes, just drop me a line at rlkinnison@yahoo.com to be put on the list. 

The Last Step...

 To Casket Finishing: Trim!

Casket 1070-1873, shown above at the Victoria & Albert Museum in London is one of my favorite caskets because I just love its unique trim. You can see it here. It's not the only extant casket that has lace over ribbon for trim, but it's my favorite. The lace makes for such a feminine look. This is the casket that was inspiration for the trim on my little dome top casket. 

I hand stitched lace over ribbon to make my trim, and my last Finishing Tips video on YouTube below shows how I apply the trim~ which is the same for ANY type of trim I am wanting to apply. Hope ya'll have a wonderful Christmas and come back tomorrow for a little video tour of the finished casket

Floss Tube Finer Finishing Tips 15

 Things to Think about when Looking for Trims for a Box or Casket

Happy Friday! I hope you are having a great stitching week...or perhaps getting ready for a great stitching weekend. I will be at a craft show with Pip all day tomorrow, so my usual Saturday video is a day early this week. The only thing left to share of the making of my little Dome Top Casket is how I apply the trim, but before I get to that, I first wanted to have just a little chat about the trim itself, and what you should take into consideration when searching out the perfect trim for your own project. 

Check back next Friday to see how I apply the trim to the box, and then on Christmas Day I'll post a video of the finished casket. I cannot convey enough how much fun this little project was and that I hope it has inspired you to continue on your own project, or maybe even start up a new one!

I do believe this is the first peek you will get to see at the completed Gum Worke~ if you like it and want to learn how to do it for yourself, I will be having a class starting in January~ just drop me a line to rlkinnison@yahoo.com to get on the mailing list. 

Floss Tube Finer Finishing Tips #14

 Gluing A Finished Panel Onto The Box

So.....you have laboured for perhaps years on your embroidery and it's finally finished. All that is left is to glue it onto your box or casket. Easy right? You may be surprised to learn that the majority of folks I know when they get to this point, they panic. Some don't even get as far as opening the glue pot, just the thought of glue on their embroidery is overwhelming enough for them to stop and make the thing live unappreciated in a drawer for the rest of its life. 

I am here as a calming voice to assure you, it's really NO. BIG. DEAL. 

Take a deep breath, gather your tools, and watch this week's YouTube video on how to do it below!

Each panel is glued on in the same way, one at a time, no matter what you have worked onto the panel itself. It could be cross-stitch, crewelwork, stumpwork, or beadwork...no matter, they all go on the same way. Come on back next week for a fun video on choosing trim!

My Kind of Lost & Found....

 17th Century Silke Gum Worke

 There were many techniques used in the 17th century to cover girls' cabinets, workboxes, and caskets. One of my favorites is Silk Gum Worke. I have talked about it before, and am very pleased with the results I have been able to obtain.  Gum work caskets and items are much rarer than their stumpwork or beaded counterparts, as they are somewhat fragile. Occasionally things pop out of worldwide obscurity. For a brief moment, like the lid opening on a box of treasures, we get to peek in, and then the lid is shut and we are left longing for more. Such was the case with the above silk and silk gum work casket from the Caldwell collection. It was sold by Brunk Auctions in 2006, you can see the auction page here.  One just cannot appreciate the beauty of silk gum work via a photograph...its impossible. 

I have studied pieces in person and they are so old and tattered now. Four hundred years of dust and sun and wear has left them tired. I wanted to know what they looked like when new.... and I want you to too! 

 This is the topic of my video for today...it's not so much a tip, as it is a treat. The gummed silk is extremely luminous. In the process of making the sheets, the silk fibers are aligned parallel to each other. I refer to this alignment as the grain. To make a panel, I first start with the stems and leaves, as shown above. Notice how some of the leaves are lighter, and some are darker...but they are all cut from the same silk. The light catches the grain at different angles and is reflected off in vibrant bursts of light.

Next petals are placed. 

One by one, the flowers grow petal by petal

 Though the pieces are flat, the way they are built up gives the flowers added dimension. I used the same pink silk for all the flower petals. 

Here is the finished panel on the back of my little dome top casket. While it looks pretty here, one just cannot understand the movement you can get from this technique, so I offer you today a little video, below. It still does not do the real thing justice, but at least is a little better than a flat picture. 

If you are interested in learning more about this technique, drop me a line to rlkinnison@yahoo.com to be put on the mailing list for my upcoming Jan 2022 class, Gum Worke~ The Arte of 17th Century Gummed Silk.