Saturday, April 09, 2011
Tuesday, April 05, 2011
"There is, perhaps, nothing more difficult of attainment than the art of dressing well. The graceful adjustment of drapery, the perfect harmony of colors, the correct adaptation of the coiffure to the countenance; even the choice of the slipper and neatly-fitting glove, require a degree of taste and judgement that would surprise the un-initiated......
An eye as accurate as that which guides the painter in his task, a fancy as brilliant as that which inspires the delicate visions of the poet, are required to perfect that most fascinating of all earthly objects-- an elegant and well dressed woman. "
*Little Merrit Alsop would be pleased to meet your acquaintance at the TDIPT Mercantile, along with Mirwana, Bagg, Livy & Holley, at 7pm CST , April 14, 2011.
Tuesday, March 29, 2011
For those of you who are constructing a smock along with me, we are on to construction. Some are embroidering all their pieces first, depending on the blackwork pattern....I am staying true to the original c1575-1600 smock held in the Museum of Fine Arts, Boston, so my next step is to construct the body, so I can have a zillion seams to cover with my powder blue filament silk....YAY! NOT~ I have found embroidering these weensie motifs really challenging, they are so small, and all being the same, sorry to have to admit, but extremely boring to work. So much so, I was elated to stitch seams!
The original smock is made of a fine linen...I am using ramie for this one~ still a 100% natural fiber, and it is so thin and soft....just perfect for this scale I am working. Its basic construction is a rectangle for the front, one for the back, 2 small rectangle pieces that cover over the shoulders, 2 sleeves, and 2 sleeve underarm gussets. That's it~ very simple. I am making mine a little different, because I want it to look like it was pieced from scraps, AND, doing this will give me the lines I want in the front for my embroidery to go over, so I wont have to mark it. The original was indeed embroidered all the way around, but my Marguarite's will only have the vertical embroidery on the front seams.
Sunday, March 27, 2011
I listed a special girl on eBay this evening~ you can see her on eBay by following the link in the sidebar to my eBay Specials ;) I also wanted to share my latest obsession with you all~ cause if you know me, you will know I adore bunnies!
Friday, March 18, 2011

A waye up to the attic little dollye lived, always hidden, always alone, longing for a new pet to steal her away... to drefs her and smother her with kifses. Years would pass, she still sat at the sill snug up against and gazing out the wavy panes of glass beyond the cobblestone streets and gardens below. Bound to the olde darke manor houfe, she had weaseled through and carefully repacked each and every box more times than she could remember. She loved the way the wide planke floors creaked softly when her feet patter'd across them. The smell of scent....and soot. She knew every nook and cranny, every crack in the daubed walls....every stick of straw. Her once cunning and fashionable drefs, now long worn through, had been unpick'd and resewn, unpick'd again and cut down and restitched again and again, until only precious bits of the cotton print remains. Her hair is quite long now, and a bit tussled....but why comb it~ there is no one to care if there is a spiders nest within.....and perhaps a spider would make nice company after all?
Waiting........
still and silent she waits,
dreaming to be stolen away and smother'd with kisfes
Monday, March 14, 2011
Ohh I am certainly addicted to making these~ if I had a kiln, I would be making them in porcelain, (I want some for my bathroom!) but since I don't, I have done them up in mache~ these really are special, and I am so excited to share them with you all. I hand press them from antique springerle cookie molds and presses~ I have been collecting the modern reproductions for quite a few years and they really are special~ all reproductions of early hand carved cookie molds dating back to the 1600's. I hand paint each, and glaze them to make them each unmistakeably 'Diamond K Folk Art'! This one I am offering this evening is a c1820 Beidermeier Garden Ladye, and she is quite large~ almost 4"x6", not including her hanger. These look wonderful hanging on a cupboard door~ I have painted this one to resemble my favorite powder blue Wedgwood.
Wednesday, March 02, 2011
Typically the fabric would be embroidered first, then stitched together...but alot of the embroidery is over the seams on this one, so I am embroidering the underarm gussets first, then am going to stitch it all together, and embroidering it last. The most embroidery on this is on the sleeves, and I want to be sure the fit is correct and perfect, before I go spending a ton of time on embroidery that may get put into the trash. I am drawing the motifs on with a lead pencil, which works quite well~ my fingers rub it off, and by the time I am finished with the motif, the lead marks are all gone.