Thursday, January 10, 2008

And just WHO calls this 'Progress'???????????????

A 17th century merchant wrote about Muslin....."calicuts made so fine you can hardly feel them in your hand, and the thread, when spun, is scarce discernible" (Calicuts were muslins made in Calcutta)
So I say~ What the heck happened????????????

Here is a pet peeve of mine.....people who think things that are 'olde' are poorly made or somehow insuperior.....and that if its made now~a~days...it certainly must be better. ::sigh::

NOT!

The above picture is the current unbleached muslin that is available at the fabric store. I cant even believe these people call this coarse, nubby, irregular weave MUSLIN! AKKKK

Now this, Dear Friends, is Muslin. Yes, its been spiffed up a bit, having been carefully hand embroidered and made into a baby cap, but you can see the weave and fineness of the material~ soooo soft, and quite thin~ its nearly transparent.
Put together, the modern 'muslin' looks like heavy Jersey cloth up to the original muslin. We are in such a technical FAST era....Quantity over Quality~ I don't like it a bit. If a job is worth doing, why not do it well to begin with? What ever happened to 'learning from history'?
Plain & Simple..............Simply Beautiful
Something about this time of year always brings babies to mind....so I was looking thru the many baby shirts and bonnets I have here, looking for something to Blog about...when I found myself wanting to share EVERY piece with you all! Then I remembered a special dainty pair of 18th Century Baby mitts I just had to share. I have some really extravagant things here at the Museum, but oddly enough, some of the most simple pieces have the most extraordinary workmanship and smallest stitches~ truly beauty in its simplest manifestation. Pippin couldn't very well model them 'naked', so we picked her out an early 19th century day gown. These were worn in the hot summer months as a dress themselves, around the house, but were made as under dresses~ being a petticoat & chemise in one.
IF I were just to show the next picture, the tiny scale of these fine cambric mitts could not be appreciated. As you can see, they fit my Pippin nearly perfect, she turned 2 years old this past Sept.
The stitches are so tiny on these, I could not capture them with the camera. A mere 10" long, they reach from the knuckles of the hand, to just above the elbow. One has to wonder the special little girl who these were originally made for. In 1720, it has been recorded that Mrs. Papendick's small daughters wore long gloves tied over the elbows "to preserve the arm in beauty for womanhood". Elbow length fingerless gloves with a triangular flap that folded back over the hand became popular in the mid to late 18th century. I received these mitts together with a pair of adult size linen elbow length gloves, very fine, from the last quarter of the 18th century.
No fancy frippery here. This is how sweet children dressed for everyday
It was hard enough just to get a picture of Pippin~ she never holds still! Mitts like this p air are extremely rare~ everyday dress just did not survive, as they were worn, and worn again...and when they didn't fit, they were given to the next child, and when they finally wore out, they made their way to the rag bin and were reused in the household. These little mitts are cambric~ so thin and soft and delicate~ they definitely were not made for any special occasion, which means the reason they were kept, sadly enough, was most likely because the child didn't survive long after their use.
This little day dress looks just like every other 'Victorian white', but upon close inspection, its a miraculous piece of handiwork! The lace on the sleeves finely hand embroidered & drawn...the stitches so fine~ I stopped counting at 30, per INCH
tiny gathers like this, evenly spaced, is referred to as 'gauging' towards the mid 19th century.
And LOOK at the darns! I get so excited over darning~ they show wear, and mending, which says 'Hey~ look at me~ I was a favorite dress'.......and they're so well done, you really have to look closely to see them. Wonder if the little girl, or boy who originally wore this dress got in trouble for playing to hard and ripping it???

Sunday, January 06, 2008

A Collection of Love Tokens.............
Will be available this month on eBay, and the TDIPT Mercantile on the 15th of this month! The fabric covered mache keepsake box will be on the Mercantile~ with its bubble covered vignette in the lid~ Ohh I love making these. A reproduction of an 1830 fashion plate, along with vintage flowers & ribbon is arranged permanently in the lid. See the hat in the box behind the lid???? It is a reproduction c1835 bonnet~ sized perfect for dolly~ all hand stitched together of fabric covered board~ it goes along with the keepsake box~ woohoo!
I have made just a couple special shadow box Valentines~ This one here is accented with the teensy guard feathers from a peacock quill around the engraving, with loops of precious hair~ these have come from one of our horses, 'Apple'................SO beautiful! I think I will list one of these on eBay later on tonight.....
Ohhhhhhhh there will be some of my glass glittered 'candy heartes'.....to use for ornaments or bowl fillers...... and some special lil Valentine's Day Cupids I'm SO in love with! They are hand sculpted mache, with lil wire & tinsel Halos....nestled up in a mica covered 'cloud'....each has a banner that dangles so daintily, and each are different~ all one of a kind pretties I hope you will enjoy!

Monday, December 31, 2007

My New Heirloom Victorian Love Token Valentines............
As promised, I have some wonderful new pretties for 2008! Above is one of my 'new' heirloom valentines, or remembrals. It was a very popular past time in the early~mid 19th century to give tokens of affection to friends and loved ones that contained precious bits of hair, flowers and ribbons. These are my versions.
They are made to hang on the wall, and are very nice size at 6x9 inches, not including the hangers. this one has a beautiful reproduction of a Victorian sentiment, that I have hand painted with watercolors.
Inside, you will find 2 gentle hair mementos, one strawberry blonde, very delicate and braided, arranged into a bouquet of graceful loops, 3 for the trinity......this one held by a crimson wax seal, made from a c1820 antique letter seal. It shows a flower, and says 'Forget me Not'.... below it I have inked the name 'Jane'
This is a side view~ another black hair piece, along with some dainty dried straw flowers, and red silk ribbon are contained permanently inside a wonderful vintage thick papered box with window front. Each are one of a Kind, and this one can be found in my Mantua Maker's Mercantile Blogstore~( link is in the upper right hand corner)
Two sweet dollys............

This is Anna Elizabeth, a special Queen Anne doll I sculpted in memory of my Grandma Ioerger that passed away on the 3 Nov this year. Isn't she just Heavenly...no pun intended
My Hannah Pippin loves her too. Why make dollys and not let my wee ones play with them? Often all they hear from me is 'No touching~ NO touching!!!!'......but how can I say no to "Peease Peease Mommy...dollee dolleee peeeeeease"? Pippin is so careful~ its really surprising how gentle a 2 year old can be. I snapped this picture of them both in front of the little tree here in the gallery this morning..right before Anna got a big kiss from Hannah!
Pippin thought Anna might like a pony ride on the cast iron horse keeping watch over the tree.... I think she did enjoy herself immensely

Anna is 18.5" tall, hand sculpted mache. She wears antique linen stockings and reproduction shift, with bonnet made from precious lil bits of early 19th century embroidery and lace. Her eyes are c1840 pupiless black........ One can't help but wonder over all the Christmases past they have seen
If you look closely you can see the rising sun I used for my makers mark this past year~ Anna is the last, out with the old, and in with a new mark for '08. I have so many wonderful things planned for this year. I hope everyone who makes time to come and visit the Blog has a wonderful New Year, filled with much happiness, and health. I just cant thank you all enough~ it means so much to me to be able to share the art & history I love so much with others~
God Bless~

Sunday, December 23, 2007


Merry Christmas my Dear Friends~ I wish Peace on Earth, and Good Will to *ALL* Men

Sunday, December 09, 2007

From the Establishment of G. Brodie..............


'51 Canal St, New York.....As the approach of the cold weather will render our lady friends thoughtful about their winter garments, they will, we trust, be gratified that we are at pains to afford them several styles which the modistes of Paris have prepared for the season'..............

I know I certainly would be most gratified to have received the above such 'Raglan' for my Christmas gift in 1855! Or maybe even the 'Andalusia' pictured below
We keep a library of period fashion publications here at the Museum, and I am often asked if the clothing did in fact, look like the ones advertised. I have sat for many an evening and dreamt what it would be like, to receive the latest copy of Godey's or Peterson's Lady's National Magazine...and behold the excitement when the latest fashions were 'pictured'. I wondered if they were like the fliers we get now a days.....but unlike a photograph....did the actual garments live up to their neat & precisely engraved counterparts???? All was answered for me one fall afternoon, when an older gentleman, John Brown, offered me one of his Grandmother's cloaks

I wonder if this masterpiece also once had a name? With name or without, it is a masterpiece of handiwork and design. Its quite warm, the outer shell is a lush black velvet, heavily hand embroidered. The inside lining is a quilted silk over wadded inner layer. It is pictured over a bronze plaid silk day gown, also c1855. These two most certainly could have been worn together, the gown's skirting is fully lined for winter warmth.

The tailoring and fit is exquisite, giving the privileged wearer a most becoming silhouette
2 tiers of hand knotted silk & chenille fringe are an elegant effect over the separate sleeves
It is hard to imagine the hours of hand work that went in to this fabulous cloak. And from this example, I sit and drool all the more at the others pictured in my Lady's Book for 1855..... how I would love to find an actual 'Raglan', 'Andaluisa', 'Le Caprice' or 'Mary Stuart'!!