I wish all of my readers the Merriest of Holidays ever~ I hope your days are filled with joy & love. I would like to thank you all for reading my blog and taking the time to comment~ Thank you for the overwhelming support you all have shown me for my dollys and folk art~ your generous orders are most appreciated~ they pay for new archival storage materials for the collection, as well as helping to grow the collection, but they also pay for gas and groceries....supper and school clothes. I cant wait for you to see what I have planned for 2017~ I think it will be a fabulous year! Looking forward to teaching in Bath England in August and so many more things to share~ may your hearts & fingers be blessed in 2017!
For those pondering a Flemish Fantasy ornament kit~ I have 5 remaining~ four gold and one silver~ this is the last week to order and then they will be gone forever! If I have any kits left, I may hold a giveaway drawing later next year, or give the first few purchasers of a 2017 kit opportunity to purchase a 2016 one along with~ I havent decided yet. The new 2017 ltd edition ornament will be coming out in March! You can find kit ordering information on my shop blog, www.DiamondKFolkArt.blogspot.com~ if you decide to purchase a kit, please dont forget to add your regions shipping to your cart before ordering~
Today's Museum Monday lucky number is 953~ a precious little boys bodice of drab green silk taffeta trimmed in black silk braid & buttons. It was worn in 1832 by Joseph Davis Mackelduff when he was just 2 years old.
As a rule, I dont keep bodice's that are not accompanied by their skirts/trousers....but there is always the exception. Boy's clothing is very rare, and to have anything with provenance more so again~ so I was happy to add this piece to the collection. One may expect that a bodice like this would have button holes round the waist to button on to either a pair of high waisted trousers or skirt, but there is no evidence of such. It was made as a true separate, but certainly would have had, and been worn over a matching long skirt or pair of trousers. Due to Joseph's young age, I would say he wore it over a skirt, especially since there is a front tab falling below the waist~ white baby gowns in the early to mid 19th c used this tab to differentiate between a girl or boy who wore it~ tab below the waist for boys, no tab for girls.
Joseph was born April 9th, 1830 to James & Jean Mackleduff at Brandywine Manor House in Honey Brook Pa~ you can read a little about the history of his important Pennsylvania family & their home here
I can just see him sitting out on the steps in this little suit!
Center back closes with hammered hooks & eyes~ buttons are for show and nonfunctional. A pretty little peplum in the back helps to balance the large expanse of the sleeves.
Excessive, or elaborate use of buttons was a common way a family could announce their wealth in the 19th century~ they were an expensive commodity in their day.
c1850 Gilt stamped Bottle Green kid leather children's shoes 878.2016.01
Who said a bookbinder was just a bookbinder??? In addition to stamping beautiful spines and covers of ones favorite book like these examples from the early 1830-60s shown above...
and this pretty little edition of the Violet from 1842....binders stamped papers and cloths & leathers for items ranging from furniture to clothing & accessories. Truly....a trip to the bookbinders shop would have been on my list of places to go if I was living centuries ago~ piles of books, examples of stamped bindings...stacks of pretty papers and shelves filled with pretty what nots~ both made up and in pieces for you to take and make your own what not out of~ just fabulous! I get all starry eyed just thinking about it. Of coarse everything came with a price, and in the early 19th c, an everyday or ordinary book would have cloth cover, or perhaps a plain leather~ calf or kid. A little more nice, something stamped with a simple edge line....as seen above....then a little more nice/expensive, one could choose to have a design stamped in the leather~ like the two motifs on the bottom of the Violet cover, above. If one wanted to show off their wealth, they would have the stamping gilt~ as in, gilt with real gold or silver leaf, as the center motif is. The process was (and still is) quite labor intensive and requires an exacting skill & much patience.
Folks with alot of money and women wanting to be the eye of fashion, would be sure to include gilt kid items in their wardrobe~ such as my post from 7 Nov~ the gilt kid reticule. Well, what kind of fashionable Mother or Father could be seen without their child being dressed to the nines as well? This brings us to today's Museum Monday lucky number~ 878~ a c1850 pair of children's shoes in bottle green kid leather, with elaborately gilt stamped uppers.
These shoes are special for a couple of reasons~ the gilt stamping of coarse, color, but also the fact they are front lacing, not side lacing, as most half boots of this type were. Side lacing became very popular in the early 1850s, so these could date a little earlier, to the 1840s.
Fully lined in linen, the bottle green kid would have been stamped at the bookbinder's, then sent to the shoemaker to be made up. The original brass tipped green tape laces are an exact match in color to the silk tape that binds the upper edge of the shoes
Whom ever once wore these, was a pampered child indeed~ the apple of their parents eye. A skilled bookbinder would use several different stamps together to make the floral designs, but the angels/cherubs on the toes would have been their own special stamp, which equates to some serious cash in the day.
The sides are stamped with roses and scrolling tendrils of vines and flora
Whatever their occasional intent was, they were not worn much as the stamping is still quite clean and bright. The gilt is only 'attached' with a putrefied egg wash mixture, and will wear away if the surface is touched much. These could also have been a display example, but the soles do show wear.
Four cherubs grace each toe, two smaller ones, and then two larger holding a bountiful cornucopia, oriented to be facing up only to the wearer~ what a special pair of shoes!
Have you enjoyed the Museum Monday blog posts this year? I hope so. Next year I am pondering Monthly Museum Monday segments, so I can go a little more in depth with some things~ Some folks may not realize that I am wife & Mother to 4 children, in addition to running the Museum and my business~ these two hands can only work so fast and there are only so many hours in a day! I am teaching next year, designing embroidery kits, have some exciting new embroidery surfaces to share, as well as still making and painting thread palettes and slate frames& cabinets, sculpting dolls and embroidery figures....and typing on this computer for what seems like an endless amount of time! What ever next year brings, I look forward to it~ and wish all of my readers the best~ each second of every minute of every hour of each and every day is a gift from above~ so dont waste it~ make your dream happen!
Its been a while since I posted some examples of my painted slate frames~ above it a set I did earlier this year of Judith & Holfroness~ a slate with matching thread palette set. All done in blackwork, the story of Judith beheading Holfroness was a favorite for 17th c embroiders. I left it large so you can see the details....crimson blood and all~ isn't it fabulous!? If you have a frame on your Christmas list, I am far enough backed up now that you wont get it before then~ but dont let that stop you from nudging your significant other to get you one for Christmas! I put a slide show of some of my favorite paint designs on the slate frame ordering page on my shop blog, www.DiamondKFolkArt.blogspot.com~ just click on the slate frame page at the top and scroll down to the bottom to see them.
And in case you have the Flemish Fantasy Ornament Kit on your list~ I have just 7 left ready to ship~ 6 gold and 1 silver~ when theyre gone, theyre gone forever! You can order on my shop blog as well~ dont forget to add the shipping! Here is a little video I took today of mine on my tree~
Boy last week has flown by~ its already time for another Museum Monday visit! This weeks number was 531~ an early papier mache Milliner's hat or wig stand, most often referred to as a Milliner's Model. She stands a stately 16" tall, and is in near mint condition, a joy to behold as many that survive have heavy facial damage, usually a missing nose, or have been repainted several times.
This scan is from Grafnitz's book, German Papier Mache Dolls 1760-1860, and shows a scan from a Sonneberg Germany sample book apx 1850 that shows both dolls and a larger milliner's head like our example. From studying her features and comparing with other known smaller dolls, I guestimate that she was made by either Muller or Kestner, with front hairstyle keeping with styles of smaller mache dolls in the early to mid 1840's.
She was made the same as the smaller mache head dolls, with layers of papier mache pressed into a sulphur mold. These molds were reused, and as so, the more they were used, the duller or softer the impressions they made became, as the molds wore down. Her features are so very crisp, and in looking at the inside features, I think she was one of the first out of her particular mold. These were made to sit on a hat or wig makers counter to display their newest creations, so to give them weight, a large opening is left in the back where a bag of sand could be placed within to keep her steady underneath an unbalanced hat
Her face has deep modeling with highly pronounced features~ she was an expensive luxury in her day
As we look closer, and in this view, if one didnt know she was a milliners model, she could be mistaken for an actual doll~she has the same detailed paint as large dolls of the period. Note that her outer varnish has not yellowed so we can appreciate the difference between her slight peachy flesh tone skin, and white part of her eyes
Brush strokes around the hairline of these early dolls/heads is a must~ if there are no shadowing brushstrokes, more likely than not the head has been repainted. Also note the fine cracklature of the original varnish~ all early mache dolls were varnished over the paint.
Careful brush stroke eyebrows show an artists pride in workmanship & skill
Looking up into her head, there are no repairs or identifying marks
But, looking closer, we can see her very crisp facial features, and that after removing her mould(s), her nose was filled in with mache, fingerprints still visible from its packing. Even in the period, the nose was recognized as these heads weakest point, so filling it in helped to keep it from denting or collapsing if the head fell over.
And not only do we have fingerprints on the inside, but at the nape of her neck as well, two fingerprints in the skin paint, under the varnish, most likely from the artist who painted her face
Who wouldn't want to buy whatever bonnet this pretty Ladye is wearing?
The Lady's Repository Museum is a privately owned museum dedicated to the collection, preservation and study of unique early American fashions of both women and children, the later being a specialty.
All proceeds from Diamond K Folk Art sales (antique reproduction Folk Art, Dolls & hooked rugs) directly support the Museum, of which can be found on ETSY, eBay and the DKFA Blog~ please see the links on the sidebar. You can also mail me at firstname.lastname@example.org